Plamen Večnosti
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Plamen Večnosti, umetnički solo projekat multi-instrumentaliste
Sifr Shraddhe, nastao je kao evoluciona konsekvensa starog ambientalnog
projekta pod imenom Plamen Večne Zime.
Pomenuta promena imena, za sobom je vukla već dugo priželjkivanu promenu
muzičke baze projekta, odigrala se 2013. godine. Tada je Sifr Shraddha odlučio
da utoli glad inspiracije, koja je strpljivo čekala da manifestuje svoj sadržaj
kroz, do tada nepoznate kanale i puteve. Ništa nije moglo unapred da uputi na
posledicu promene imena starog projekta (iz Plamen Večne Zime u Plamen
Večnosti) i na ono što će doneti rad sa novim načinima ispoljavanja
nakupljanih energija.
Period u kojem je Plamen
Večnosti došao do naziranja svrhe svog postojanja, smešten je u 2014.
godinu kada se i odigrava najaktivniji period priprema, snimanja i iskustava
koji su direktno inspirisali kreiranje prvog albuma ovog umetničkog projekta.
Album nosi naziv The Horripilation, a manifestovan je na datum 24.01.2015. Inspirisan direktno, putem
svakodnevnih iskustava na psiho/fizičkom planu, Plamen Večnosti je dobio epitet ’umetnički projekat’. Razlog za ovu
vrsti kategorizacije leži u tome što muzičko manifestovanje inspirativnih
kretanja nije jedina stavka koju Plamen
Večnosti nosi unutar sebe. Naime, projekat, kao takav, oko sebe okuplja
dodatne elemente, bez kojih epitet ’umetnički projekat’ ne bi nosio stvarnu
težinu. Ručno kreiranje instrumenata, čija je svrha bila da daju što unikatniji
zvuk na prvom albumu, jeste jedan do kamena temeljaca projekta Plamen Večnosti. Sifr Shraddha je bio
spreman otići dovoljno daleko u težnji da što preciznije zabeleži vibracije
koje je nosila snaga inspiracije, pa je u sam tok snimanja albuma uvrstio i
određene elemente kao što su pravljenje specifične atmosfere unutar prostora
gde se snima i direktan fokus na energije koje su morale biti upisane u pesme. Shodno
tome, Plamen Večnosti je, pored
muzičkog jezgra, koje jeste sama suština projekta i neka vrsta kapije za
manifestaciju vibracije, u svoje postojanje uvrstio elemente koji nisu
svojstveni epitetu ’muzički projekat’.
EP pod nazivom ’Apokrifa’ je delo koje je krunisalo početak
2016. godine. U pitanju je jedna vrsta nesvakidašnjeg i pomalo opskurnog
pristupapravljenju EP izdanja koje naizgled, ali samo naizgled, odudara od
prvog albuma. Rad je bio fokusiran izričito i samo na vokalni aspekt
izražavanja uvek istog inspirativnog izvora. Ovoga puta, najpogodniju formu za
izražavanje inspiracija pronalazi u pravoslavnim načinima pevanja - pojanja,
koje Sifr Shraddha podražava i pokušava dosegnuti u izdanju ’Apokrifa’. Vidljivo
je odstupanje od svakog tekstualnog kalupa - izbačene su reči u pesmama, a
pojanje se svelo na izgovaranja samoglasnika. Cilj ovakvog pristupa je svakako
bio da se dubina i širina inspirativnih tokova podigne na nivo koji nije omeđen
ničim drugim osim frekvencijamačisith tonova, bez reči. Nadilaženje onoga ''šta
bi se imalo za kazati slušaocima''je rezultiralo u mnogo pristupačnijim i pitkijim
trenucimamuzičke ekspresije.Oni su, uveijeni u skute ikonografskog pristupa
koji je korišćen na ovom EP izdanju, želeli da zaborave sami sebekroz buđenje čiste
i iskrene emocija koja leži zakopana duboko unutar svega i svakoga.
Svaka
pesma koja se stvara kroz Plamen Večnosti
iza sebe nosi širinu stvarnih i izrazito snažnih momenata na raznim poljima.
Upravo ti trenuci su bunar sa kojega se napijaju tonovi i ritmovi u pesmama Plamena Večnosti. Trenuci koji svojom
užasavajućom lepotom, nevinom gracioznošću i uznemirujućom neizvesnošću mame ka
dubinama koje ostaju zauvek nepoznate, zauvek neistražene. Svrha umetničkog
projekta Plamen Večnosti leži u tome
da što preciznije, što jasnije i što tačnije načini otvore i kapije kroz koje će
se manifestovati mogućnost i naznaka za suštinsko oživljavanje onih vibracija
koje Plamen Večnosti apsorbuje i, u
ovom slučaju, pušta kroz kanal kao što je muzika.
Plamen Večnosti
The Flame Of Eternity (Plamen
Večnosti) is an artistic solo project of the multi-instrumentalist Sifr
Shraddha. It came into being as a natural consequence of an evolutionary
process that took its place within an old ambient project named Plamen Večne
Zime (The Flame Of Eternal Winter). The changing of a name of the project (From
The Flame Of Eternal Winterto The Flame
Of Eternity), thattook place in in the year 2013. and had brought about a
long needed change of the very basis of the project itself. Sifr Shraddha
finnaly decided to quench the thirst of an inspirational forces that were about
to took the form yet partly unknown to the musical and artistic language of
Sifr.Nothing could prepair the terrain of artistical expression for the upcoming
of those movements of inspiration that were waited for.
The year
2014. was the year when The Flame Of
Eternitybegan to see the glimpses of its real purpose. Those were the times
in whichthe most of the inspirational movements and experiences had done what
they needed to do to influence the creation of the first phisical manifestation
of this artistic project. Under the name ’The
Horripilation’The Flame Of Eternity
had released the first album on date 24.01.2015. The above mentioned
experiences were the esencial part that work on every-day psycho/physicalbasis in
order to influence the under-flow of the album.They were also the reason for
the title that was used together with this project – the artisitc project. Why
is that? The reason lies within the very thing that has been done through this project.
Beside the musical expression of art, Sifr took a step further. This step is
releated with the manufacturing of the instruments by the hands of Sifr alone.
The physical creation of the instruments, that can be heard on the first album ’The Horripilation’, contributed
directly to the fact that the need for the most unique and unrepeated sounds was
the one of those drives that drove the inspirational core of The Flame Of Eternity.The hand-made
instruments were just a part of the whole new scenario that took place in the
time around the recording of the first album. Other things like the needed
correct and perfect atmosphere while recording and the focus on the
inspirational energies where the ones that carved those energies within the
very structure of every song. Altogether, with those elements that are
mentioned here, it becomes clear to the one that the title ’the artistic
project’ is more sutable forthe work The
Flame Of Eternity, for it now focuses not only on the creation of music,
but on the creation of the correct instruments and atmosphere used, both within
and without.
EP
release under the name ’Apokrifa’,
crowned the beginning of 2016. What Sifr tried to do here is to focus the work
only on the vocal based way of expressing the inspirational forces. On the
first hand, it might be that the way in which the expression took form on ’Apokrifa’ was a bit different from the
previous release. But, in is only the illusion.On this release, the
inspirational forces had found out that theorthodox way of singing suits them
best.In order to appear in the form of vibrations, Sifr needed to crush down
the barriers of the sang word, and to sing using only thevowels.The goal of
this kind of approach was to rise the expression of the inspiraitonal forces,
their depth and potential.This risen flow of musical expression resulted inthe
trancendence of ’that which might be told to the listeners’ and in much purer,
more precise vibrations.Cloacked up with the iconographic expression, that is
used on this EP release, they aimed for that very trancendence that they
produced, in order to bring about the awakening of that purest emotion that is rooted
deep within each, every and all.
Every deed
that has been accomplished through The
Flame Of Eternity carries behind itself the weight of a real events/experiences
of various fields. Those moments are the very well from which melodies and
rhythms of The Flame Of Eternity
drinks. The moments thatwith their horrifyingbeauty, innocent grace and
disturbinguncertaintyare beckoning to the depths that always stays unexplored,
unrevealed. The very purpose of the artistic project The Flame Of Eternity lies within the
process in which it,as precise as it can,strive to create the openings and
gates through which the real possibility for the revival and bringing into the
light of those vibrations that it absorbs andreleases through the channel of
the music, may manifest.
