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четвртак, 16. фебруар 2017.

Recenzija: Tamerlan - Luciferian, (2016.)

Tamerlan - Luciferian, (2016.)


(Scroll down for English)
Tamerlan, projekat Timura Iskandarova postoji već više od jedne decenije. Ovaj vrsni multiinstrumentalista obeležio je na sebi jedan svojstven način našu, a i međunarodnu muzičku scenu. Krajem prošle godine (15.12.2016.), obradovao nas je svojim četvrtim studijskim albumom Luciferian. Izdavanje albuma podržala je sada već čuvena muzička izdavačka kuća iz Rusije Casus Belli Musica. Gde je Timur stao svojim prethodnim albumom Ain (recenziju pročitajte ovde), sada je nastavio i produbio smisao same muzike. Pored muzike i tekstova koje je uradio i na ovom albumu ima gostujuće muzičare Bornyhake na bubnjevima (Patricide), Will Connor na perkusijama (Burn In Peace, Until Dreams Are All That's Left, The Beholder i Faces In The Fog), Aleksandar Maksimović na bubnjevima (Come And See i Lucifer's Soon), Cecilia Bjargo kao back vokal (Come And See) i Khargash na violini (Lucifer's Soon). Album je produciran i miksovan od strane Mihajla Obrenova u njegovom DURU studiju. Digipack izdanje izgleda fantastično. Uz njega dobijate i booklet na šest strana. Cover fotografija je ono što ostavlja bez daha u umetničkom smislu te reči. Predstavlja rađanje nečeg novog, dostižno nedostižno. Svakako je Bora Helvacioglu uradio maestralan posao. Album ima osam pesama i mi krećemo u detaljnu analizu. 


Otvara ga pesma Patricide. Prepoznatljiv zvuk gitare širi se po sobi. Vokal izaziva divljenje. Mrak, gotika. Izbor je samo naš i ničiji više. Tonovi nas vode, dok plamen sveće dogoreva i svetlost je sve tanja. Prelazimo na drugu numeru Burn In Peace. Čujemo perkusije, vokal se ubacuje. Gitara se javlja preko svojih žica da nije zaboravljena. Jedna "nežna" horor melodija, koja me u potpunosti oduševljava i podiže dok ne zaplešem u potpunom mraku. Tonovi su i dalje fascinatni i u mraku nam pokazuju svetlo. Ritual je počeo. Nastavljamo sa trećom pesmom Until Dreams Are All That's Left. Perkusije, gitara i dalje su savršen spoj da bi nastavili svoje uživanje. Savršen zvuk gitare čujemo (3,25 minut). Tonovi su malo brži, dok je vokal smireniji i pokazuje nam put ka beskraju. Četvrta numera Come And See. Jedna od boljih pesama na albumu definitivno. Na back vokalima gostuje Cecilia Bjargo. Timurov glas nas poziva da dođemo, da se uverimo, da vidimo sopstvenim očima. Sada već čujemo brže tonove i spremni smo za polazak. Krećemo bez pogovora. Prešli smo na petu pesmu The Beholder. Čujemo pucanje žice koje nam donosi tonove. Vokal se uključuje i počinje bombardovanje i nastavak rituala. Ne bunimo se uopšte, jer to ni ne želimo. Perkusije su tu i sve je idilično sada. Preko šeste instrumental pesme Apotheosis, lagano smo prešli na sedmu pesmu Lucifer's Son. Ubedljivo najbolja i najlepša pesma na celom albumu (lični utisak). Nežni tonovi gitare otvaraju pesmu. Čuje se i violina, što daje poseban osećaj samoj numeri. Vokal neopisivo dobar. Totalno će vas rasturiti, ali u onom pozitivnom smislu te reči. Ritual je ispunjen u potpunosti i tu nema dileme! Poslednja numera Faces In The Fog. Savršeno za kraj. Za sve fanove Sol Invictus-a, Arcana-e i Dead Can Dance-a. 
Utisci? Korak napred je svakako napravljen. Timur je dao zadatak našoj sceni da mu pronađe pandan, ali iskreno mislim da je to nemoguće. Ovim albumom pokazao je da je najbolji multiinstrumentalista na našoj sceni. Umetnik! Album je već sada dobio prvo mesto za najbolji album godine. U to budite uvereni!


Tamerlan
dark folk/gothic/experimental 
Luciferian, (2016.)
01: Patricide
02: Burn In Peace 
03: Until Dreams Are All That's Left
04: Come And See
05: The Beholder
06: Apotheosis
07: Lucifer's Son
08: Faces In The Fog


Ocena: 10/10.

Predrag G.



                           



Tamerlan - Luciferian, (2016.)


Tamerlan, Timur Iskandarov project has existed for more than a decade. This marked the skilled multi-instrumentalist carries a unique way our, and international music scene. At the end of last year (12.15.2016.), delighted us with his fourth studio album Luciferian. Supported the release of the album now famous music publishing house in Russia Casus Belli Musica. Where is Timur stopped their previous album Ain (read the review here), now continued and deepened the sense of the music itself. Besides music and texts that he did on this album has visiting musicians Bornyhake on drums (Craigslist), Will Connor on percussion (Burn In Peace, Until Dreams Are All That's Left, The Beholder and Faces In The Fog), Aleksandar Maksimović on drums (Come and See, and Lucifer's Soon), Cecilia Bjargo on backing vocals (Come and See) and Khargash on violin (Lucifer's Soon). The album was produced and mixed by Mihajlo Obrenov in DURU studio. Digipack edition looks fantastic. In addition it comes with a six-page booklet. Cover photo is what leaves you breathless in the artistic sense. It represents the birth of something new, attainable unattainable. It is certainly Bora Helvacioglu done a masterly job. The album has eight songs and we move into a detailed analysis.




It opened with the song Patricide. The distinctive guitar sound spreads around the room. Vocal admiration. Dark, gothic. The choice is ours and no one else's. Tones us water until the flame burns out and the light is thinner. Moving on to another track Burn In Peace. We hear percussion, vocals are herre. Guitar occurs through their wire that is not forgotten. A "soft" horror melody, which inspires me completely and raises until you dance in complete darkness. The tones are still in the dark and fascinating show us the light. The ritual began. We continue with the third song Until Dreams Are All That's Left. Percussion, guitar and still are the perfect combination to continue our enjoyment. The perfect guitar sound we hear (3.25 minutes). The tones are a bit faster, while the vocals calmer and shows us the way to infinity. The fourth track Come And See. One of the better songs on the album, definitely. On the back vocals hosted Cecilia Bjargo. Timuro voice invites us to come, to be sure, to see with their own eyes. Now we hear the tones quickly and we are ready to go. We start without question. We're in the fifth song of The Beholder. We hear a broken wire that brings tones. Vocal turns on and starts pounding and continue the ritual. I do object in general, because it does not want. Percussion are there and everything is idyllic now. Over six instrumental songs Apotheosis, gently we move on to the seventh song Lucifer's Son. By far the best and most beautiful song on the whole album (personal impression). Gentle guitar tones opening song. I can hear the violin, which gives a special feeling of the track. Vocal indescribably good. Totally will crush you, but in that positive sense of the word. Ritual is filled completely and there is no doubt! Last track Faces In The Fog. Perfect for the end. For all fans of Sol Invictus, Arcana and Dead Can Dance.
Tips? A step forward has certainly been made. Timur was given the task of our scene that he finds counterpart, but honestly I think it's impossible. This album proved to be the best multiinstrumentalist on our scene. Artist! The album has already won first place for the best album of the year. Be sure! 




Tamerlan
dark folk/gothic/experimental 
Luciferian, (2016.)

01: Patricide
02: Burn In Peace 
03: Until Dreams Are All That's Left
04: Come And See
05: The Beholder
06: Apotheosis
07: Lucifer's Son
08: Faces In The Fog


Mark: 10/10.

Predrag G.
 

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